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  • 剧情片砂制时镜下的疗养院

    主演:扬·诺维茨基 塔德乌什·孔德拉特 伊雷娜·奥斯卡 哈利娜·科瓦尔斯卡 格斯塔·霍洛贝克 Mieczyslaw Voit 博泽娜·阿达梅克 卢德维克·伯努瓦 Henryk Boukolowski Seweryn Dalecki Julian Jabczynski Jerzy Przybylski 维克托·萨德茨基 Janina Sokolowska Wojciech Standello 塔德乌斯·施 

    导演:沃伊切赫·哈斯

    简介:  哈斯的彩一路向西国语完整版色电影,《萨拉戈萨手稿》的姊妹篇,个人觉得他的风格更适合彩色,此片要比《萨》更为出色。这是一次内心的历险。故事背景设在二战前期,一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩,以及疯马秀下载他的父母所包围...  获奖:波兰电影奖最佳产品设计奖  戛纳电影节评审团奖并提名金棕榈

  • 喜剧片障碍

    主演:乔安娜·什切尔比茨 扬·诺维茨基 塔德乌什·罗姆尼斯基 

    导演:杰兹·斯科利莫夫斯基

    简介:Magical   Barrier is comparable to Last Year at Marienbad with its non-linear development, mysterious characters and inexplicable mis-en-scene. It also shares the guerri痞子英雄吻戏lla film-making style of the French New Wave. It is one of Skolimowski's best.   The film follows a newly graduated medical student in his pursuit of an unattainable woman. He follows her through the streets of 60s ...

  • 科幻片等待方舟

    主演:耶日·斯图尔 克里斯提娜·杨达 卡里娜·谢鲁斯克 马里乌什·德莫霍夫斯基 马雷克·瓦尔切夫斯基 扬·诺维茨基 亨里克·比斯塔 莱昂·涅姆奇克 克兹佐夫·马扎克 斯坦尼斯瓦夫·伊加尔 

    导演:皮奥特尔·舒尔金

    简介:  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The 小草影院在线观看播放视频survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors,最大的小说网 for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

  • 剧情片留给女儿的日记

    主演:茹饶·钦科齐 安娜·波洛尼 扬·诺维茨基 帕尔·佐尔瑙伊 伊尔迪科·班沙吉 

    导演:玛塔·梅萨罗什

    简介:  匈牙利著名女导演梅萨罗什(《收养》)最知名的作品  被禁止发行两年后,在1984年嘎纳电影节上获得了评委会大奖!  世界女性电影史上不朽的经典杰作!&l撒贝宁回归今日说法爷青回t;br/>  梅萨罗什曾被英国国际电影年鉴评选为影坛五大导演之一。  八十年代最好的东欧电影之一  本片1982年拍摄完毕,1984年才准许发行。它反映了二十世纪四十年代匈牙利的政治、文化和社会生活。这是一部半自传体的影片。导演梅萨罗什是匈牙利著名女导演,她的经历几乎和影片中女主人公一样。1935年年仅5岁时和父亲移居苏联。影片中,女主人公从贾诺什留下的日记里开始理解玛格达,但还是不喜欢她。从玛格达身上,反映了匈牙利的历史的这一段进程。梅萨罗什拍摄了20多部影片。主要的有《九个月》、《郊区的房子》、《就象家—样》、《留给我爱人的日记》(本片续集)、《遗产》、《母亲和女儿》等。本片获得1984年第37届戛纳电影节评委会特别奖。  这部斯大林时期的自传体电影《给我孩子的日记》,用50年代的新闻片连续镜头和片断描绘了那个年代复杂的个人和政治景象。在西方被禁止发行两年后,还是在1984年嘎纳电影节上获得了评委特别奖。  ★★剧情介绍:

  • 剧情片11分钟

    主演:理查德·多默 葆莉娜·查布寇 沃伊切赫·麦克瓦尔达斯基 安杰列·查拉 大卫·奥格尼克 阿加塔·布泽克 彼得·格洛瓦茨基 马太乌兹·科西基维奇 伊菲·乌德 扬·诺维茨基 安娜·玛丽亚·布切克 卢卡什·西科拉 

    导演:杰兹·斯科利莫夫斯基

    简介:  因为一给我一个拥抱给我肩膀靠靠歌名场事故,年轻人、老人、富人、穷人……原本不相干的一帮华沙人的命运,在关键的11 分钟内,被联系到了一起。从此,他们的人生轨迹改变。

  • 剧情片螺旋

    主演:扬·诺维茨基 马娅·科莫罗夫斯卡 Zofia Kucówna 

    导演:克日什托夫·扎努西

    简介:  A stranger who turns up at a resort hotel in mi科比绝杀热火视频dwinter, behaves rudely towards other guests and disappears the next day. Found half-frozen in the snow he is taken to hospital where his story is gradually revealed.

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